Francesco Facchinetti is a populist, a demagogue , empty rhetoric and . It stinks too. u_u
I would say that on Wednesday evening we reached the apotheosis of trash, with a burst that Morgan railed against Mori or against the Nothing. Foul Language of half an hour against the public and against the poor fuck, which now also takes words from the rocks, topped off with not one but two medium raised to the sky. And fortunately, that Morgan is an elderly man .
If nothing else, this unfortunate incident has served to bring some attention to the program that this year seems to have a significant decrease of plays, struggling to reach 10% share in favor of some revolting program weblog Mediaset.
Ah, poor Italy! Fortunately, more and more insistent rumors of a possible fourth edition are being heard and I'm praying all the saints in heaven for this to happen, otherwise I'll be moving home Cowell. Basta.
If nothing else the next year would be appropriate to make some changes to the system and I already have ideas:
- whisk away the Moors
- regrow the tuft
Morgan - give a heavy dose of hormones from the Mara to raise
its torpor - a fourth judge and above all charismatic COMPETENT
- divide the category of Under
in male and female - stretch performances: not one minute and forty two minutes but at least
- choose best-known songs to attract a wider public
- Facchinetti give the right to use a weapon to quell the attacks of hysterical
judges - to dance Tommasini
- spend less money for foreign guests and invest in something constructive
e.. boh!
Guest star of the night: Mariah Carey . Ok, you blame bad influence of my father, but that woman makes my skin crawl. No, but you felt that notes can achieve? Ultrasound . I would say that these days, Mariah is the most talented singer on the planet. Then of course his music may not like, it does not make me mad, but nothing to say on the item.
The Italians are good and generous, so you are not satisfied with only one guest: but three! After Mimi it's the turn of Spandau Ballet (here no one has yet figured out which is pronounced " dance") that prove to be the artists who still know how to hold the microphone and tools in hand, despite the physical devastating collapse.
host the Third caroamatissimoadorabile Matthew Spouts , Which returns prancing on stage (late hour .. damn writers!) And offers us his new single which is not bad, maybe a bit too melodic for my taste. Blaze of M2, of course. The co-workers have already largely emphasized all aspects of the story, then I will not dwell further.
Missing
Marco - Wave upon wave (8.5 ): I've spent more often than words of praise for this wonderful guy, so do not add nothing new. I only say that in this edition is was the only one capable of doing many different kinds to each other and always do excellent levels. In short: could sing the yellow pages in Serbian-Croatian , wearing a garbage bag, which would be more credible. E 'is therefore no need to waste too many words, self-described very well by itself when it takes the microphone. I loved his interpretation of this song. God seemed to musical artist with years of playing behind! Usually they tend to despise the singers do not just "gifted" vocally saying " is not good, but is perfect for the musical . Nothing is never been more ignorant. Being on stage, singing, acting, dance, dive in the role of a character, keep the scene without using any band or orchestra is devastating. Try listening to some character like Vittorio Matteucci (Frollo of the NDP) or Matteo Setti or Sabrina de Siena, then I feel even someone who despises the musical artists. : D So hats off to Mengoni, which shows more and more that it is not only a good interpreter, but a complete artist and charismatic.
Paola - Crumbs ( 7) Mori is the title aggiundicata this week as "the obvious explorer." What a fine example of experimentation to give a girl with the voice of a song recently and Paola Veronica Scopellitti by strong and then express themselves in lavish praise on vocal power. The song has done well of course, Paul has a "really great barrel" without doubt, can hold the stage well, but the whole show I was somewhat taken for granted. It is not that performance that makes you reflect on the brilliant insight of the coach on duty and makes you exclaim " but as far as I know! . Then, in my humble opinion, Noemi has a way of interpreting Crumbs highly personal, with the right amount of emphasis, but still managing to remain separate, which makes me mad. All this manages to convey an emotion between anger and compassion for the lover described in the text and never expires obvious. But Paul has done a much more classical piece, not forgetting the rock vein, but leaving it all pretty approximate. I prefer a thousand times more in Hyperballand Bjork.
Yavanna - Alexander Platz ( 6): I have not heard a singer who was able to decently coverizzare Battiato, perhaps only Celentano with his own version of The Cure . Lyric complicated and full of meaning, where the text is essential. I am therefore in full agreement with Morgan, which may be hysterical, but in music has a culture frightening to interpret Battiato takes ascetic detachment that almost no one in Italy, you have to completely immerse themselves in another dimension and this Unfortunately, the Yavanna could not at all well. The items did not understand everything and, as usual, it was emphasized to excess, so as to be discreet but on the whole very confused. I appreciate once again the staging, which aims to highlight the talents of musicians such as Yavanna, but if it worked once does not need to resubmit it in every performance as if it were the only means to express them musically a decent, why not.
Chiara - Come to me (6.5 ): Morgan that there is to tell the tale that the decision to come to me Chiara was not as trivial as it sounded, I'm sorry, but is not credible. Clare needed a piece that did emerge from the tunnel where it was stuck and give like a piece of Vibrations that, however beautiful, it looked something stravisto seen and, unfortunately has not helped at all. Chiara had come to XFactor as the spearhead of the third edition, I felt I already speak again before the beginning of the program. Since the first performance was undoubtedly license plate with the tag amazing voice, crystalline class, sophistication and elegance, all confirmed by other performances as Forbidden Colours and Indigo eyes in the sky. Then he lost. He had one last glimmer of light It Does Not heaven Mia Martini, then risprofondare nell'ovvietà and, indeed, even in bad taste, not because of him unfortunately. The thing I appreciate most in the way it was handled Chiara was just the fact that after the first episode of the prejudices they had forgotten all about her, "Susan Boyle the Italian ," and was revealed to his personality and his talent, without the need for vulgar comparisons. After the battle with Morgan about the Christian's talent Chiara was eclipsed by an endless series of misunderstandings and communication difficulties both with his court with the public and this has contributed to its decline. I do not think Morgan has no interest in her, but, of course, the fall of estimates that had crystallized among them, helped to overthrow it. The Chiara Forbidden Colours I have not seen her, even in the run-off with Silver that has determined the exit. And this is a real shame.
Giuliano - Who tells me ( 7): song heard it a million times, so that now I almost unbearable. Bad memories. Certainly not give it to Giuliano was another flash of brilliance by the Moors, which remains static in its management of the singers banal, not make them neither better nor worse than they are practically no risk. Bravo, nothing to say, excellent control of tone and voice, but this time failed to send me a girlfriend. XFactor is his voice, certainly not in the picture or the ability to express emotions or vulgarity " pierce the screen." Perhaps his talents would be better enhanced by a more creative of the singers, which the team of Over terribly missing.
Silver - women's magazines ( 4): " you have transferred the word", this is was the comment by Morgan. In this case, he has demonstrated a true demagogue: he gave a song virtually unknown to all but three or four fans, with a meaning and irony so subtle that they were not immediately apparent on first hearing, so much so I, in my extreme ignorance, when suddenly I heard Silver and stop to laugh, concluding with " I must apologize, but I have to laugh, maybe this song I do not know how to sing " and leave it without a reason I thought he was improvising, and even he had forgotten the text. It asks the immense Tenco excuse. Apart from Silver this was inaccurate, he did a performance and overall stonicchiato pretty useless, not at the level of the other competitors. And I cry my heart to say it because I really love Silver! * ~ * The thing I found most fastiodiosa was the post-show, or the judges' comments. When it is clear that a singer has done a poor performance, why do we need to continue with menarcela " the cute, friendly and blablabla " instead of saying vermente how things are? A bit of seriousness. I think Silver is sufficiently mature to get vaccinated and criticism, continuously without being pitied by people who should to brush their objectivity, in some cases.
RUN II
Giuliano - The way you make me feel ( 5): premise for me to sing Michael Jackson in general, but especially in this period, equivalent to kill themselves artistically, and this explains why my overall ratings lower than usual. For this exhibition, Julian had a very high level of difficulty, first because he sang after a pitiful sight that Facchinetti was trying to dance the music of Thriller so so ridiculous that I was tempted to switch channels. The way you make me feel like piece was pretty well chosen, but the vocal style of MJ was the most far there was to Julian, who, poor fellow, he tried to do well in a falsetto vocalization, but the result was quite deplorable. To help make dull and heavy all the showing was the choice (forced) to keep him impaled in the middle of the stage and, as a single step, let him remove the RayBan mirror (but it was in those of Mark Notorious!) still managed to convey the stillness of a night table. Rejected.
Yavanna - Will you be there ( 6), but how beautiful this song? Then see it performed live by the King of Pop was something sublime, with the children in the choir and the angel who eventually came down from above and surrounded by its giant golden wings on Michael. Good choice for Yavanna, who had already exhibited in a piece of MJ in a runoff, to the tune of Earth Song, I think, but with poor results. Also this time were not particularly bright, indeed. In the first part I found fits perfectly (Letizia has a voice similar to that of the same Michael!), But the second is was a triumph of sighs and urletti that ruined the whole harmony of the song. And then I believe they moved a little too loose with your clothes, did a little witches' sabbath. However, without a doubt one of the best performances in the second round.
Silver - The Girl Is Mine (4.5 ): excellent choice of Morgan, not least because this wonderful song was one of the pieces Prince of Thriller, perhaps too little known in the beauty measure the melody. Then cabbage: a duet between Michael Jackson and Paul McCartney is something explosive! Unfortunately, In this case, the low voice of Silver on the exhibition that has affected if I did not already know the song, I would sound like something infinitely far from the pop of Jackson, in a nutshell, has trivialized. He tried to imitate Paul McCartney does not care as much as possible, said Morgan, the part of Michael, perhaps forgetting that the whole race was a tribute to MJ and are therefore also quite out of place. Carina the idea of putting a Beatles wig and do a video in which mimicked his idol, but fits perfectly with the shots of Giles did not understand a club of staging, except that there was a ballerina in half dressed like Lady Gaga moved seemingly without purpose.
Paola - I just can not stop loving you ( 6.5): all the pieces selected in this second round were awfully nice and I appreciated the fact that there were infinitely far TWO (excluding the Man in the Mirror of the first episode of Mark) who came from Bad , my favorite album of Michael. So I was in a state of premature gloating when I listened to Paul, who I play this piece, quite good. I loved the way he sang the words, as much bored me in the verses, but overall it was a good performance. Unfortunately, the singers of the Moors not tickle my fancy so much to allow me to write a comment very limited, if not model Maionchi " good, good, good vocals, I liked you . You'll be happier you who read me! XD
Marco - Billie Jean ( 9) more often look like a hormonal fangirl because not only I love Mark, but I love every single piece that is assigned, by Helter Skelter to With you I'm fine. I swear that this is not wanted, then do not be surprised and do not take me for that crazy if you dicio Billie Jean is my favorite piece of Michael Jackson. In fact, when I assigned it to him Morgan jumped three meters high, because it seemed to me .. too. The man thought I read in, nothing to do. Marco was the 'ONLY who had hopes of not disfiguring against a legend like Michael, who had the lightness and mastery of voice and tone needed to do a piece like that. Then we want to talk about the ballet? I mean, you saw him? Apart from a move a little confused at the beginning managed to stay on time and do a pirouette not bad, although you could see that his hand was not really about the attributes at ease. Fantastic. That is, even Michael Jackson dancing to me this divine boy, I do not know. Basta. I do not say anything except: ESTIMATED infinite and unconditional.
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